1
00:00:33,570 --> 00:00:35,990
[Coppola] I tell you the truth,
I'm a little surprised.

2
00:00:36,070 --> 00:00:38,830
You have sold everything,
and they can't sell me this house.

3
00:00:39,240 --> 00:00:41,160
The truth is that I don't understand
what is the problem.

4
00:00:41,250 --> 00:00:43,040
- How are you, good ones?
- [agent] Good morning.

5
00:00:43,120 --> 00:00:45,540
There are interested parties, but it costs a fortune.

6
00:00:46,080 --> 00:00:48,880
Yes, five hundred million pesetas
for this property.

7
00:00:49,170 --> 00:00:50,170
Yes.

8
00:00:50,250 --> 00:00:52,210
- It's too much.
- Too much?

9
00:00:52,710 --> 00:00:55,510
Look, too much
It is your assessment, your opinion.

10
00:00:55,590 --> 00:00:58,390
I'm not interested in your opinion,
I am interested in you selling the house.

11
00:00:58,600 --> 00:01:00,560
Look, I see two serious problems here.

12
00:01:00,640 --> 00:01:02,600
who are the ones who are hindering
the sale.

13
00:01:02,890 --> 00:01:03,890
The first is you.

14
00:01:03,980 --> 00:01:05,850
Because if a client asks you for something,
you go and get it.

15
00:01:05,940 --> 00:01:07,400
You are not giving an opinion if it seems expensive to you
or cheap. What's that?

16
00:01:07,480 --> 00:01:09,730
I'm going to teach you
how to sell a house.

17
00:01:09,820 --> 00:01:10,820
[upbeat music]

18
00:01:16,990 --> 00:01:19,370
Welcome to <i>MTV Cribs.</i>

19
00:01:19,490 --> 00:01:23,410
AGENT
PARTY LOVER

20
00:01:23,500 --> 00:01:25,290
I'm Guillermo Esteban Coppola

21
00:01:25,370 --> 00:01:29,130
and today I'm going to show you the house
where Diego Armando Maradona lived

22
00:01:29,210 --> 00:01:31,340
his best years at Barcelona.

23
00:01:31,670 --> 00:01:34,260
The second.
I come in here, I tell you the truth,

24
00:01:34,460 --> 00:01:37,300
I feel like I'm buying the house
from a furniture designer.

25
00:01:37,630 --> 00:01:39,550
- [Agent] A furniture designer.
- Yes.

26
00:01:39,760 --> 00:01:40,760
- It's from Bonet.
-Who is Bonet?

27
00:01:40,850 --> 00:01:41,850
The architect, Bonet.

28
00:01:42,100 --> 00:01:44,520
This house was designed by Antonio Bonet.

29
00:01:44,850 --> 00:01:46,980
Number one with another number one.
Diego, Bonet.

30
00:01:47,060 --> 00:01:49,940
This chair, BKF. You had a sit down...

31
00:01:51,730 --> 00:01:54,190
For example, here. In this fireplace.

32
00:01:54,280 --> 00:01:56,490
Can't you nail a good shield
of Barcelona here?

33
00:01:56,570 --> 00:01:58,780
So when people come,
He sees that and says, "Oh, right,

34
00:01:58,860 --> 00:02:00,990
Diego played for the club when he lived here.
"Look at you."

35
00:02:01,330 --> 00:02:04,200
This fireplace was made
by hand Bonet.

36
00:02:04,370 --> 00:02:06,290
Jordi, you were the idiot
what I wanted to put

37
00:02:06,370 --> 00:02:08,540
- a Barcelona thing here.
- [uncomfortable giggle]

38
00:02:08,870 --> 00:02:11,500
Come. Jordi,
Who lives here a hundred meters away?

39
00:02:11,670 --> 00:02:14,250
- The fantastic singer Julio Iglesias.
- Julio Iglesias.

40
00:02:14,340 --> 00:02:16,800
Are you comparing me
to Diego with Julio Iglesias?

41
00:02:17,010 --> 00:02:19,930
Julio Iglesias, one hundred meters over there.
This is an exclusive neighborhood.

42
00:02:20,010 --> 00:02:21,010
[snorts]

43
00:02:21,090 --> 00:02:22,100
Who came first? Diego.

44
00:02:22,180 --> 00:02:24,510
A slum.
The tennis court, for example.

45
00:02:24,600 --> 00:02:26,600
What does the tennis court tell you?

46
00:02:26,680 --> 00:02:28,890
You have to convert it
on a soccer field, or not?

47
00:02:29,900 --> 00:02:31,650
Top of the line tennis court.

48
00:02:31,730 --> 00:02:34,190
Gabriela Sabatini has played here,
Boris Becker.

49
00:02:34,270 --> 00:02:35,280
And you put together a story.

50
00:02:35,360 --> 00:02:38,280
People have to come here
and see Diego. Everywhere.

51
00:02:38,570 --> 00:02:40,490
It's full of these things, please.

52
00:02:40,570 --> 00:02:42,070
Crazy Diego, crazy about Inca art.

53
00:02:42,160 --> 00:02:44,200
This is pre-Columbian,
prior to Colombia. Very good.

54
00:02:44,450 --> 00:02:47,450
Do you understand? Diego here, walking, saw,
throwing the flip flops around,

55
00:02:47,540 --> 00:02:48,620
he takes off his robe.

56
00:02:48,790 --> 00:02:52,880
Here, Dieguito's mini gym.
Here, Dieguito's mini hair salon.

57
00:02:53,290 --> 00:02:55,960
There, Dieguito's sex.
That cannot be shown.

58
00:02:56,090 --> 00:02:57,670
Another room with dwarves.

59
00:02:57,880 --> 00:03:00,010
Re Diego, Diego,
Diego, Diego everywhere.

60
00:03:00,090 --> 00:03:01,180
Back room:

61
00:03:01,260 --> 00:03:03,220
the costume room
from Chespirito, what do I know.

62
00:03:03,640 --> 00:03:05,810
This house is a museum.
Let's go to the beach.

63
00:03:05,930 --> 00:03:07,560
Get involved! Get involved!

64
00:03:07,680 --> 00:03:09,810
The bitch worth being alive!

65
00:03:09,890 --> 00:03:11,020
Give me a little piece...

66
00:03:12,270 --> 00:03:13,730
[you hear urinating]

67
00:03:15,230 --> 00:03:16,900
[Coppola] Are you cold, Jordi?

68
00:03:16,980 --> 00:03:19,700
- Thank you MTV for coming to visit me.
- [bell rings]

69
00:03:19,820 --> 00:03:22,070
Look, it seems to me that there are people
who comes to see the house.

70
00:03:22,160 --> 00:03:24,070
You'll see, I'll sell it to you
in two minutes.

71
00:03:24,160 --> 00:03:25,370
[music concludes]

72
00:03:25,740 --> 00:03:27,490
[indistinct murmurs]

73
00:03:27,830 --> 00:03:30,540
- How are you? Good day.
- Yes, is Maradona there?

74
00:03:30,620 --> 00:03:32,500
It's not there, but as if it were.

75
00:03:32,580 --> 00:03:34,290
Guillermo Esteban Coppola, a pleasure.

76
00:03:34,380 --> 00:03:36,460
No, nothing of taste.
I want to see Maradona.

77
00:03:36,550 --> 00:03:38,420
Tell him I am
from Bon Gust Charcuterie.

78
00:03:38,510 --> 00:03:40,090
- He knows me.
- Well, Maradona right now

79
00:03:40,170 --> 00:03:41,170
is in Saudi Arabia

80
00:03:41,340 --> 00:03:43,680
because the king invited him
to celebrate his birthday there.

81
00:03:43,760 --> 00:03:45,550
I said, "Diego, are you sure you're going?"

82
00:03:45,640 --> 00:03:47,640
Look over there, I don't know,
the butcher comes

83
00:03:47,720 --> 00:03:50,140
wants to chat with you", but hey,
He is restless and left.

84
00:03:50,230 --> 00:03:51,940
No, if he also teases me.
[giggles]

85
00:03:52,020 --> 00:03:53,600
He owes me six hundred thousand pesetas.

86
00:03:53,810 --> 00:03:56,980
Six hundred thousand pesetas?
But what should I buy him, a pony?

87
00:03:57,110 --> 00:03:59,110
No, look here, he has the account
well detailed.

88
00:04:00,070 --> 00:04:03,240
[snorts] Pernil, pernil,
mortadella, sausage, bacon…

89
00:04:03,320 --> 00:04:05,320
- Oh, yes. Hmm.
-… pecorino, botifarra…

90
00:04:07,660 --> 00:04:10,450
Good. Let's see, in principle
I apologize,

91
00:04:10,540 --> 00:04:13,710
this debt was acquired
in the previous administration.

92
00:04:14,000 --> 00:04:15,830
Everything will be paid,
stay calm,

93
00:04:15,920 --> 00:04:16,920
peseta for peseta.

94
00:04:17,040 --> 00:04:18,960
Now when the boy comes out
of real estate,

95
00:04:19,170 --> 00:04:20,800
you give him the account,
He cancels everything.

96
00:04:20,880 --> 00:04:22,170
I do not handle local currency.

97
00:04:22,260 --> 00:04:23,510
- It's there.
- Yes, it's there, now it's coming.

98
00:04:23,800 --> 00:04:25,970
Does anyone else
with pending issues with Maradona?

99
00:04:26,390 --> 00:04:27,890
[man] Yes, here.

100
00:04:31,520 --> 00:04:33,940
Good. They will all be attended to.
One second.

101
00:04:34,100 --> 00:04:37,110
Jordi! Come.
No, they are looking for you.

102
00:04:37,270 --> 00:04:38,940
- They were asking about you there.
- For me?

103
00:04:39,110 --> 00:04:41,570
- And Jordi, they said. Jordi, Jordi…
- Take everything out, please.

104
00:04:41,820 --> 00:04:42,990
Do you have the money or not?

105
00:04:43,240 --> 00:04:45,280
One moment.
What did Coppola tell you?

106
00:04:45,360 --> 00:04:46,950
That you have to pay us all.

107
00:04:47,160 --> 00:04:48,740
Six hundred thousand to me. Here at…

108
00:04:48,870 --> 00:04:50,330
Coppola, the mother who gave birth to you.

109
00:04:50,450 --> 00:04:51,450
What's happening?

110
00:04:52,450 --> 00:04:54,210
No, everything's fine.

111
00:04:55,500 --> 00:04:57,170
[screaming indistinctly]

112
00:04:57,330 --> 00:04:59,210
[Spanish heroic music]

113
00:05:08,350 --> 00:05:09,970
[music with shots]

114
00:05:18,150 --> 00:05:19,480
[music concludes]

115
00:05:23,240 --> 00:05:25,240
[phone rings]

116
00:05:28,620 --> 00:05:29,620
Hello?

117
00:05:29,700 --> 00:05:31,120
<i>- Hello, yes. I'm Doménica.</i>
- Yes.

118
00:05:31,200 --> 00:05:33,290
- With Guillermo Coppola?
- It's here. Now I pass you.

119
00:05:33,790 --> 00:05:34,790
<i>Thank you.</i>

120
00:05:34,870 --> 00:05:36,120
- [woman] Mr. Coppola?
- Yes.

121
00:05:36,500 --> 00:05:37,670
You have a call.

122
00:05:39,710 --> 00:05:40,710
- Who is it?
-Domenica.

123
00:05:41,380 --> 00:05:42,710
[Coppola] Doménica, tell me.

124
00:05:43,090 --> 00:05:46,130
I've been calling you for hours.
Diego is crazy.

125
00:05:46,300 --> 00:05:47,300
What happened now?

126
00:05:47,550 --> 00:05:50,470
He says he went to the bottom of the world
for a shitty birthday

127
00:05:50,600 --> 00:05:52,600
and here there are no women or alcohol

128
00:05:52,720 --> 00:05:54,930
and they didn't even give him anything
make it worth it.

129
00:05:55,020 --> 00:05:56,600
In other words, he says that this is not a party.

130
00:05:56,770 --> 00:05:59,520
How can they not give him anything?
They must have given him something.

131
00:05:59,600 --> 00:06:00,770
And yes, a scimitar.

132
00:06:01,150 --> 00:06:02,150
One what?

133
00:06:02,270 --> 00:06:06,190
A scimitar is a very nice sword,
Guille, with a gold handle.

134
00:06:06,280 --> 00:06:08,950
But Diego thought
that they were going to give him watches,

135
00:06:09,070 --> 00:06:12,030
rings, diamonds, some car,
a war tank.

136
00:06:12,120 --> 00:06:15,290
So he got angry
and he stuck his sword into the throne.

137
00:06:15,450 --> 00:06:17,580
<i>The king is extremely offended.</i>
[soft gasp]

138
00:06:17,710 --> 00:06:19,500
He says that he never missed them
respect like that.

139
00:06:19,580 --> 00:06:21,840
I am afraid.
You can't mess with these people.

140
00:06:22,090 --> 00:06:25,050
Calm down, don't be exaggerated.
They are peaceful people.

141
00:06:25,130 --> 00:06:26,510
[machine gun sound]

142
00:06:26,630 --> 00:06:28,880
[hooting screams]

143
00:06:29,090 --> 00:06:32,850
Please take a plane. Now.
He sucks both my ovaries.

144
00:06:33,510 --> 00:06:35,180
I don't know what else to do.

145
00:06:35,390 --> 00:06:36,560
Well, I'm going there.

146
00:06:37,270 --> 00:06:39,020
My mother's heartbreak.

147
00:06:40,440 --> 00:06:42,980
I'm going to ask you if you will prepare the account for me.
that I have to go.

148
00:06:43,060 --> 00:06:44,070
I also take advantage

149
00:06:44,150 --> 00:06:46,280
and I give you the pending account
of Mr. Maradona.

150
00:06:48,860 --> 00:06:53,990
Iberian ham.
Iberian ham. Iberian ham.

151
00:06:54,120 --> 00:06:56,620
How many Iberian hams
can you eat a person?

152
00:06:56,830 --> 00:06:57,830
Eh-mmm…

153
00:06:57,910 --> 00:07:00,670
Good. I go to the room,
I organize myself a little.

154
00:07:00,750 --> 00:07:03,630
Now we see how I cancel everything.
Alright?

155
00:07:03,880 --> 00:07:05,340
I'll cancel you there.

156
00:07:09,630 --> 00:07:12,010
[woman speaks in Catalan]

157
00:07:24,440 --> 00:07:25,730
Listen, are you my interpreter?

158
00:07:26,360 --> 00:07:27,360
Yes, Mr. Coppola.

159
00:07:27,650 --> 00:07:30,070
Look this is a mission
basically idiomatic.

160
00:07:30,200 --> 00:07:32,910
I need you to be sharp, precise,
Don't miss one.

161
00:07:33,070 --> 00:07:34,410
No, stay calm.

162
00:07:34,910 --> 00:07:36,240
And stuck to me, yeah?

163
00:07:36,370 --> 00:07:38,540
- You are my light and my shadow, permanently.
- Always.

164
00:07:39,450 --> 00:07:41,370
Listen to me, will you have
a brother, a cousin, a friend,

165
00:07:41,830 --> 00:07:43,580
someone who can join us
to the mission?

166
00:07:44,210 --> 00:07:45,790
- Eeeh… Yes. I have.
- Yeah?

167
00:07:45,880 --> 00:07:47,840
I need you to know how to act
and dance a little.

168
00:07:47,920 --> 00:07:49,800
Nothing professional either.
but I...

169
00:07:49,880 --> 00:07:51,510
don't bring me a fat man either
that doesn't work.

170
00:07:51,590 --> 00:07:52,590
No, don't worry.

171
00:07:52,800 --> 00:07:55,510
No, no, no. I don't worry.
I'm busy, it's my job.

172
00:07:58,060 --> 00:08:00,850
Listen to me, how do you say
"confusion" in Arabic?

173
00:08:01,940 --> 00:08:04,600
Eh, "confusion" in Arabic
It is called "irtibāk".

174
00:08:05,110 --> 00:08:07,110
- As?
<i>- Irtibāk.</i>

175
00:08:08,270 --> 00:08:09,320
- Ertibac.
- Irtibāk.

176
00:08:11,240 --> 00:08:13,110
[whispers indistinctly, inhales]

177
00:08:13,410 --> 00:08:15,780
Listen to me, how do you say
"let them suck it with sand"?

178
00:08:16,910 --> 00:08:19,240
No, but I can't translate that.

179
00:08:19,660 --> 00:08:21,410
[video game music]

180
00:08:35,680 --> 00:08:37,430
[video game music concludes]

181
00:08:40,390 --> 00:08:41,890
[speaks in Arabic]

182
00:08:46,860 --> 00:08:49,940
[speaks in Arabic]

183
00:08:56,070 --> 00:08:57,740
- Your majesty.
- [speaks in Arabic]

184
00:08:58,280 --> 00:09:00,620
- [Coppola] Permission.
- [interpreter speaks in Arabic]

185
00:09:02,250 --> 00:09:03,250
<i>Irtibāk.</i>

186
00:09:03,410 --> 00:09:05,790
A great <i>irtibāk was put together here.</i>

187
00:09:06,000 --> 00:09:07,130
[speaks in Arabic]

188
00:09:07,380 --> 00:09:10,090
What you are seeing
It is a purely Creole ritual,

189
00:09:10,500 --> 00:09:13,470
inherited from the gaucho tradition
from our homeland, from Argentina.

190
00:09:13,720 --> 00:09:18,550
At that time,
the gaucho when he wanted to show respect

191
00:09:19,010 --> 00:09:20,060
and loyalty to his leader,

192
00:09:20,140 --> 00:09:22,600
in this case you for Diego,
did a ritual.

193
00:09:22,850 --> 00:09:24,310
Here the boys are dressed

194
00:09:24,390 --> 00:09:27,150
of the tradition of our Argentina
and they are going to show you the ritual.

195
00:09:27,230 --> 00:09:28,230
Show the ritual.

196
00:09:28,310 --> 00:09:30,110
-After a dance...
- [interpreter translates]

197
00:09:30,520 --> 00:09:32,400
- Move a little more.
- [folklore sounds]

198
00:09:33,280 --> 00:09:37,320
Then the gaucho
He unsheathed his knife... and, tac!

199
00:09:37,490 --> 00:09:38,530
He stuck it in the ground.

200
00:09:38,870 --> 00:09:41,830
He took out... He took out his knife!

201
00:09:41,990 --> 00:09:43,370
[interpreter speaks in Arabic]

202
00:09:43,580 --> 00:09:44,580
The reconcha…

203
00:09:48,370 --> 00:09:50,210
[growls, groans]

204
00:09:53,340 --> 00:09:56,300
And there it was revealed
the true essence of its wearer.

205
00:09:56,380 --> 00:10:00,510
That's what Diego
He wanted to demonstrate his majesty.

206
00:10:00,600 --> 00:10:02,350
[speaks in Arabic]

207
00:10:02,470 --> 00:10:04,060
The ritual of brotherhood.

208
00:10:09,190 --> 00:10:11,400
[music concludes]

209
00:10:23,280 --> 00:10:24,290
What does it say?

210
00:10:24,370 --> 00:10:26,040
Mr. Coppola, if that is so,

211
00:10:26,330 --> 00:10:29,210
why was Maradona locked up
and didn't he come down to celebrate?

212
00:10:29,420 --> 00:10:31,880
It is a lack of respect towards the king.

213
00:10:35,170 --> 00:10:36,710
- Did he tell you all that?
- He told me.

214
00:10:36,840 --> 00:10:39,010
But he spoke to you very little.
But what, did it abbreviate or what?

215
00:10:39,090 --> 00:10:40,090
[interpreter] Everything.

216
00:10:42,260 --> 00:10:44,430
Let's see. No, no disrespect.

217
00:10:44,510 --> 00:10:47,140
Let's see, this topic is like that.
What Diego wanted...

218
00:10:48,060 --> 00:10:49,480
Sorry, sorry, yes, sorry.

219
00:10:49,600 --> 00:10:52,860
- I asked permission to approach.
- [interpreter speaks in Arabic]

220
00:10:53,020 --> 00:10:54,940
Well, thanks, shukran.

221
00:10:55,480 --> 00:10:56,480
My proposal.

222
00:10:56,570 --> 00:11:00,030
I give you this beautiful present
to Diego who will know how to value it...

223
00:11:00,110 --> 00:11:02,240
because Diego is crazy about these things.

224
00:11:02,370 --> 00:11:05,700
And in ten minutes you will have Diego here,
cool as a lettuce,

225
00:11:05,790 --> 00:11:07,080
dancing, taking steps.

226
00:11:07,330 --> 00:11:09,080
We can even add
some soccer balls.

227
00:11:09,410 --> 00:11:11,250
With the king, I don't know if the king plays.

228
00:11:11,420 --> 00:11:12,750
[speaks in Arabic]

229
00:11:12,830 --> 00:11:14,090
Yes?

230
00:11:15,880 --> 00:11:17,300
A champion, the king. Hey?

231
00:11:17,380 --> 00:11:18,880
- [speaks in Arabic]
- [stifled laughter]

232
00:11:19,050 --> 00:11:20,550
Good, very good.
Thank you so much.

233
00:11:20,630 --> 00:11:21,630
<i>Shukran.</i>

234
00:11:21,720 --> 00:11:23,640
Let the boys put on their shorts,
that we played a little game.

235
00:11:24,010 --> 00:11:25,010
Come on, come on.

236
00:11:25,760 --> 00:11:26,760
<i>Shukran.</i>

237
00:11:27,060 --> 00:11:28,060
Your feeling, okay?

238
00:11:28,140 --> 00:11:29,270
He signaled yes.

239
00:11:29,350 --> 00:11:30,350
- Yes?
- Yes.

240
00:11:30,440 --> 00:11:31,440
Good, perfect.

241
00:11:34,900 --> 00:11:37,230
Now, Diego, look what to pack with this.

242
00:11:37,610 --> 00:11:40,110
This with just the sleeve
I would buy you a Rolls-Royce.

243
00:11:41,360 --> 00:11:43,200
[Doménica]
And now you are returning to Barcelona?

244
00:11:43,410 --> 00:11:46,490
Naa. I'm going back to Barcelona
with the money they left owing?

245
00:11:47,040 --> 00:11:49,040
I come back and they catch me.
I'm going with you to Naples.

246
00:11:49,500 --> 00:11:51,710
- [kiss] See you tomorrow.
- See you tomorrow.

247
00:11:51,870 --> 00:11:54,210
[prolonged moan, exhales]

248
00:11:55,540 --> 00:11:56,840
[farts]

249
00:11:58,090 --> 00:11:59,090
Sorry.

250
00:11:59,380 --> 00:12:00,380
[phone rings]

251
00:12:03,260 --> 00:12:04,260
Yes.

252
00:12:05,640 --> 00:12:07,140
- What's wrong?
- [Doménica] Diego.

253
00:12:07,640 --> 00:12:10,350
Dieguito. Calmer?

254
00:12:10,480 --> 00:12:13,230
No, no, tell me, tell me. That?

255
00:12:13,480 --> 00:12:14,480
Whose?

256
00:12:14,770 --> 00:12:18,020
[exhaled giggle] Do you want
that they put me in jail right in this country?

257
00:12:19,230 --> 00:12:20,360
What happened?

258
00:12:20,440 --> 00:12:21,440
He wants the king's clothes.

259
00:12:23,660 --> 00:12:27,990
Hey! Hey! Come.
I need to talk to the king.

260
00:12:28,410 --> 00:12:31,500
I'm afraid. I'm going to lose my life
because of you.

261
00:12:31,620 --> 00:12:33,370
- It is not done.
- No, stop. Don't exaggerate.

262
00:12:33,540 --> 00:12:34,540
They are going to kill me.

263
00:12:37,170 --> 00:12:38,540
[door opens]

264
00:12:39,250 --> 00:12:43,170
Your Majesty,
Diego would also like it very much,

265
00:12:43,300 --> 00:12:47,510
If possible, perform another ritual,
but this more modern one,

266
00:12:47,600 --> 00:12:50,180
calmer, more football fan.

267
00:12:50,390 --> 00:12:52,270
The exchange of shirts.

268
00:12:52,730 --> 00:12:53,940
[interpreter speaks in Arabic]

269
00:13:02,360 --> 00:13:05,570
We can go now
to the hell of this place.

270
00:13:05,700 --> 00:13:06,700
Right now.

271
00:13:07,320 --> 00:13:08,320
[screams]

272
00:13:09,370 --> 00:13:10,660
[chimes]

273
00:13:18,580 --> 00:13:20,800
And let them suck my three eggs.

274
00:13:21,340 --> 00:13:23,760
Hello, I'm Guillermo Esteban Coppola

275
00:13:24,090 --> 00:13:27,430
and I want to welcome you
to our new offices.

276
00:13:27,760 --> 00:13:29,800
It went very well for us.
We fill ourselves with money.

277
00:13:29,970 --> 00:13:32,100
We're doing two and we're moving.

278
00:13:32,220 --> 00:13:34,640
<i>- Buongiorno.</i>
<i>- Doménica, l'originale.</i>

279
00:13:34,810 --> 00:13:39,110
And here, the copy. Doménica one.
Doménica two. Carlinhos.

280
00:13:39,270 --> 00:13:42,730
We also have Brazilians.
It looks like a closet, but you can pee.

281
00:13:42,900 --> 00:13:45,360
- Look out, I'm here!
- Well, this one has a <i>cazzo</i> like that.

282
00:13:45,490 --> 00:13:48,910
Here, Alessandro, <i>per tutti.</i> Doménica three.
Own vineyards.

283
00:13:49,490 --> 00:13:51,700
We filled ourselves with real money.
Catchers.

284
00:13:51,780 --> 00:13:54,000
Well, <i>secretaria generale.</i>

285
00:13:54,080 --> 00:13:55,960
Typewriter? We don't use it anymore.

286
00:13:56,120 --> 00:13:59,000
Because?
Because we have com-pu-ta-do-ra.

287
00:13:59,080 --> 00:14:01,540
And here, Guillermo Esteban Coppola.

288
00:14:01,710 --> 00:14:04,300
From Tacuarí 1593 to the world.

289
00:14:04,670 --> 00:14:07,470
My anvil, memory of my years
in the bank.

290
00:14:07,590 --> 00:14:08,590
Greetings.

291
00:14:08,760 --> 00:14:10,140
[man speaks in Italian]
<i>This woman does not lie,</i>

292
00:14:10,340 --> 00:14:13,560
<i>the true firstborn</i>
<i>legitimate of Maradona is...</i>

293
00:14:16,310 --> 00:14:17,600
I don't understand if it's a joke, no...

294
00:14:18,440 --> 00:14:20,350
[Coppola speaks in Italian]
I tell you with all sincerity.

295
00:14:20,440 --> 00:14:21,860
What I saw makes me ashamed.

296
00:14:22,770 --> 00:14:24,110
[speaks in Italian]
Coppola Entertainment Group.

297
00:14:25,280 --> 00:14:26,400
No, he's busy.

298
00:14:27,030 --> 00:14:28,110
What is this?

299
00:14:28,200 --> 00:14:30,240
[speaks in Italian] Using a polygraph
with a woman to see if she had

300
00:14:30,320 --> 00:14:31,320
a son with Maradona,

301
00:14:31,450 --> 00:14:32,700
It's in bad taste.

302
00:14:32,990 --> 00:14:36,830
- But, in fact, it is the truth.
- The truth?

303
00:14:38,000 --> 00:14:39,370
No, he's busy.

304
00:14:39,790 --> 00:14:43,290
Hey, well, listen to me then.
There is another alternative.

305
00:14:43,670 --> 00:14:45,760
[speaks in Italian]
And much better for everyone.

306
00:14:46,300 --> 00:14:49,680
This crap disappears, it doesn't exist anymore.

307
00:14:51,300 --> 00:14:52,430
I give you

308
00:14:53,100 --> 00:14:56,430
the exclusive of the birth
of Maradona's first-born.

309
00:14:56,720 --> 00:14:58,140
For you, alone.

310
00:14:58,350 --> 00:14:59,810
[speaks in Italian] Absolutely.

311
00:15:00,310 --> 00:15:02,980
Anyway, he wouldn't be the firstborn.

312
00:15:05,150 --> 00:15:06,820
Coppola Entertainment Group.

313
00:15:11,070 --> 00:15:13,830
Stop puffing up, Lorenzo.
He's the first... Don't break your balls.

314
00:15:14,120 --> 00:15:15,240
If it is the firstborn, it is the firstborn.

315
00:15:15,410 --> 00:15:17,330
- Guille, you have an urgent call.
- What happened?

316
00:15:17,410 --> 00:15:18,750
Diego's bank has just been robbed.

317
00:15:19,080 --> 00:15:21,420
- As?
- [secretary] Yes. [gasps] Hurry up.

318
00:15:22,670 --> 00:15:24,500
[Luigi] A blow, a…

319
00:15:24,630 --> 00:15:27,170
- A blow, a…
- [Coppola] Yes, a robbery, a robbery, Luigi.

320
00:15:27,260 --> 00:15:28,630
- I already understood you.
- Yes or…

321
00:15:28,710 --> 00:15:32,510
A command. They entered
through the sewers of the local <i>vicino</i>

322
00:15:32,640 --> 00:15:35,760
and from there they broke the wall
and they went into the bank.

323
00:15:36,760 --> 00:15:40,600
And they stole… eighty boxes,
"approximately."

324
00:15:41,060 --> 00:15:43,270
- Eighty how many?
- Of four hundred.

325
00:15:43,350 --> 00:15:44,360
[woman argues indistinctly]

326
00:15:44,440 --> 00:15:47,020
Right, ours. Mother who gave birth to me.

327
00:15:47,360 --> 00:15:48,940
But look what aim
that you have to have.

328
00:15:49,360 --> 00:15:50,860
My mother's heartbreak.

329
00:15:51,150 --> 00:15:52,450
These are the boxes.

330
00:15:52,530 --> 00:15:54,530
Three hundred and seventy, 371,

331
00:15:54,620 --> 00:15:57,740
three hundred seventy-two.
They are completely empty.

332
00:15:57,950 --> 00:16:03,170
Declared four hundred thousand.
Six watches and some jewelry.

333
00:16:04,250 --> 00:16:06,920
But that's the statement
from last year, Luigi.

334
00:16:07,000 --> 00:16:08,300
I come here every week.

335
00:16:08,380 --> 00:16:10,130
- Yes I know.
- You see me. I go in and out.

336
00:16:10,420 --> 00:16:11,550
True.

337
00:16:11,630 --> 00:16:12,630
The golden ball was there.

338
00:16:13,680 --> 00:16:15,090
Diego won it in the World Cup,
what do we do?

339
00:16:15,180 --> 00:16:16,180
Shall we play the World Cup again?

340
00:16:16,260 --> 00:16:18,350
Do you call the Federation
for the World Cup to be played again?

341
00:16:18,810 --> 00:16:21,270
The scimitar was,
which the king of Arabia gave him.

342
00:16:21,350 --> 00:16:22,390
[speaks in Italian]
What is a scimitar?

343
00:16:22,520 --> 00:16:23,520
A saber.

344
00:16:23,810 --> 00:16:24,810
Don't worry.

345
00:16:26,190 --> 00:16:27,190
Don't worry me?

346
00:16:27,270 --> 00:16:29,320
Are you going to tell Diego
things are not there?

347
00:16:29,400 --> 00:16:32,070
No, but the insurance will cover
100% of the value of the goods.

348
00:16:32,320 --> 00:16:35,740
<i>One hundred percent of the value…</i>
<i>One hundred percent of the value…</i>

349
00:16:39,290 --> 00:16:40,830
One hundred percent?

350
00:16:40,910 --> 00:16:42,040
[in Italian] 100%.

351
00:16:43,290 --> 00:16:44,870
[woman argues indistinctly]

352
00:16:48,340 --> 00:16:50,840
Well, let me
let a figure work for you, Luigi,

353
00:16:51,010 --> 00:16:53,550
and I... and I... I bring you closer
a number tomorrow. Hmm?

354
00:16:53,880 --> 00:16:55,220
[Luigi] I'm sorry, Mr. Coppola.

355
00:16:56,140 --> 00:16:57,800
The only thing I ask of you is
make the return quick

356
00:16:57,890 --> 00:16:59,010
and in cash. Did you see?

357
00:16:59,100 --> 00:17:01,770
Don't give me a check, the promissory note and this,
because Diego is trilling.

358
00:17:01,850 --> 00:17:03,520
<i>I tell you, between us,</i>
<i>he wants to go to hell.</i>

359
00:17:03,600 --> 00:17:05,600
- [Luigi]<i>No!</i>
<i>- Yes, yes. He wants to leave Naples.</i>

360
00:17:05,690 --> 00:17:07,520
<i>He wants to break the contract</i>
<i>with Naples and he wants to leave.</i>

361
00:17:07,610 --> 00:17:09,480
- [Luigi] <i>No...</i>
<i>- And, man, they have stolen everything.</i>

362
00:17:09,610 --> 00:17:10,610
[Luigi in Italian] <i>I am mortified.</i>

363
00:17:10,690 --> 00:17:12,110
[Coppola] <i>Yes, a disaster. Total disaster.</i>

364
00:17:12,190 --> 00:17:15,610
Let's see, if the accounts don't fail me,
we get seven wads

365
00:17:15,780 --> 00:17:18,870
ten lucas each
on the surface of the box.

366
00:17:18,950 --> 00:17:19,950
Correct.

367
00:17:20,030 --> 00:17:21,200
And stacked?

368
00:17:21,290 --> 00:17:23,910
The complete box,
about one hundred and forty bundles.

369
00:17:26,460 --> 00:17:28,710
Oh, mom!
There are almost three green sticks.

370
00:17:29,210 --> 00:17:31,550
Oh, mom, how am I going to take them.

371
00:17:31,710 --> 00:17:34,470
Please go ahead
from behind, through the mouth.

372
00:17:35,010 --> 00:17:38,340
- Luigi, say hello. Thank you.
-[moans]

373
00:17:39,680 --> 00:17:40,680
Perfect.

374
00:17:43,020 --> 00:17:44,520
[kiss]

375
00:17:47,140 --> 00:17:48,150
[phone rings]

376
00:17:48,230 --> 00:17:51,190
Little boy, what are you doing?
Wait, wait, wait, Diego.

377
00:17:51,860 --> 00:17:54,360
They're going to miss the jets
after the buraco

378
00:17:54,440 --> 00:17:55,650
that we are going to leave them.

379
00:17:56,110 --> 00:17:57,240
Also, two good news.

380
00:17:57,530 --> 00:17:59,530
There is a nice offer
through the house of Barcelona

381
00:17:59,620 --> 00:18:03,040
and that interview,
I slept peacefully that it does not come into the air.

382
00:18:04,410 --> 00:18:07,540
No, but don't thank me, my love,
That's what I'm for, yes.

383
00:18:09,460 --> 00:18:11,040
Yes, they took him.

384
00:18:11,840 --> 00:18:14,260
Yes, but Diego, imagine,
What are they going to leave it?

385
00:18:14,800 --> 00:18:16,510
Stop, it's okay, don't be angry.

386
00:18:16,590 --> 00:18:19,220
I'm going to get busy, I'm going to get busy.
I'll see what I can do.

387
00:18:19,300 --> 00:18:22,510
Diego, don't be angry. It's okay,
Diego, it's okay.

388
00:18:22,600 --> 00:18:24,310
I'll take care of it, it's okay.

389
00:18:28,100 --> 00:18:29,100
What happened?

390
00:18:29,650 --> 00:18:31,810
Ballon d'Or passed.

391
00:18:34,690 --> 00:18:35,690
It's a fight.

392
00:18:37,570 --> 00:18:39,990
[Coppola]
What I'm asking of you is not that complicated.

393
00:18:40,160 --> 00:18:42,160
It doesn't need to be identical.

394
00:18:42,280 --> 00:18:45,080
As long as it is more or less similar,
Diego is not going to notice.

395
00:18:45,240 --> 00:18:48,580
No, moment.
No, no, it's not a favor for him.

396
00:18:48,870 --> 00:18:50,170
It's a favor for me.

397
00:18:50,330 --> 00:18:51,920
What's happening, João?

398
00:18:53,040 --> 00:18:56,670
Please, it's a... a joke,
a jokecinho

399
00:18:56,760 --> 00:19:00,090
Diego-- Diego likes to falter,
but it's not what you think.

400
00:19:00,180 --> 00:19:01,720
It is to provoke. It is…

401
00:19:01,800 --> 00:19:04,600
If I'm telling you that Diego
You don't have to realize

402
00:19:04,680 --> 00:19:06,220
this dies here.

403
00:19:06,430 --> 00:19:08,020
I understand, no problem.

404
00:19:08,350 --> 00:19:10,440
Bye. Chaucinho, chaucinho. Bye.

405
00:19:11,020 --> 00:19:12,520
He told you no.

406
00:19:12,770 --> 00:19:14,980
Yes, the guy was hot
because Diego last year

407
00:19:15,070 --> 00:19:16,860
he kept saying
who can't comment on football

408
00:19:17,030 --> 00:19:18,030
because he played water polo.

409
00:19:18,110 --> 00:19:20,110
Well, Guille, that's it.
Everything has a limit.

410
00:19:20,360 --> 00:19:22,780
Diego will understand.
You did everything possible.

411
00:19:26,370 --> 00:19:27,370
Not everything.

412
00:19:38,800 --> 00:19:40,340
[speaks in Italian]
Look, here comes Coppola.

413
00:19:40,420 --> 00:19:41,680
It's heavier than an anvil.

414
00:19:41,840 --> 00:19:42,930
[speaks in Italian] Disaster.

415
00:19:43,090 --> 00:19:44,100
AND? What do we do?

416
00:19:44,220 --> 00:19:47,180
- Didn't they give you the money?
- What money? That doesn't matter to me.

417
00:19:47,390 --> 00:19:48,390
The trophy is the theme!

418
00:19:48,470 --> 00:19:51,100
An enormous emotional value for Diego,
He cares a lot about getting it back.

419
00:19:51,270 --> 00:19:52,400
[speaks in Italian]
And I wouldn't want to have cystitis.

420
00:19:52,480 --> 00:19:53,560
No! Come on!

421
00:19:53,650 --> 00:19:55,980
What the hell are we going to do?
The world is shit. Do you understand?

422
00:19:56,070 --> 00:19:58,610
I don't know, I don't know. I imagine there will be
an ongoing investigation.

423
00:19:58,780 --> 00:20:01,570
- Do you have any clue? Something?
- Coppola, it's not easy.

424
00:20:01,950 --> 00:20:03,410
I know it's not simple.

425
00:20:03,570 --> 00:20:06,200
That's why the police are in charge
and not the Sarrasani Circus.

426
00:20:07,410 --> 00:20:08,620
[cheers]

427
00:20:09,080 --> 00:20:10,450
[in Italian] Let's see, listen, Gennaro.

428
00:20:10,580 --> 00:20:13,040
I just want to recover an object.

429
00:20:13,370 --> 00:20:16,460
I don't care about money, jewelry,
the shitty sword of the king of Arabia...

430
00:20:16,880 --> 00:20:19,800
Just the trophy. Can't it be done
an effort for Maradona?

431
00:20:19,880 --> 00:20:21,970
How should I tell you?
Behind this is the Camorra!

432
00:20:22,300 --> 00:20:23,680
[suspense music]

433
00:20:24,050 --> 00:20:25,260
[muffled voice]

434
00:20:26,680 --> 00:20:29,350
- Oh...
- [in Italian] If the robbery was planned,

435
00:20:29,520 --> 00:20:31,770
I tend to think
He was a very good boss from above.

436
00:20:32,390 --> 00:20:33,390
[speaks in Spanish] Are you sure?

437
00:20:33,480 --> 00:20:34,770
[speaks in Italian]
Of course I'm sure!

438
00:20:35,690 --> 00:20:37,770
[Coppola] Eh, you would have started
there, Gennaro.

439
00:20:38,610 --> 00:20:41,240
[in Italian] Can you manage one for me?
interview with that boss?

440
00:20:41,690 --> 00:20:43,070
You're crazy, Coppola!

441
00:20:43,200 --> 00:20:44,410
I can't help you.

442
00:20:44,490 --> 00:20:45,820
[in Spanish] With all the help
that I give to you,

443
00:20:45,990 --> 00:20:48,030
- all the tickets I give you.
- [in Italian] I always paid.

444
00:20:48,160 --> 00:20:49,700
[in Italian] What did you always pay for?
Come on, Gennaro!

445
00:20:50,040 --> 00:20:51,540
Are you blaming me about the stadium?

446
00:20:51,790 --> 00:20:52,790
[scoffs]

447
00:20:52,870 --> 00:20:54,750
- Coppola.
- Last time you asked me for ten tickets.

448
00:20:54,870 --> 00:20:56,540
- Coppola!
- Ten tickets you asked me for.

449
00:20:56,630 --> 00:20:57,630
[in Italian] See you later Coppola.

450
00:20:57,710 --> 00:20:59,040
How barbaric, how ungrateful.

451
00:21:16,440 --> 00:21:17,650
[Coppola in Italian]
Crocodile, how are you?

452
00:21:17,730 --> 00:21:19,480
[Crocodile in Italian] "Cappa Bianca"!

453
00:21:19,980 --> 00:21:22,280
- What's happening? Diego wants more?
- No no.

454
00:21:22,360 --> 00:21:25,490
I need to contact someone from the Camorra

455
00:21:25,700 --> 00:21:27,450
to recover an object that was stolen from us.

456
00:21:28,370 --> 00:21:29,660
- [laughter]
- [Coppola in Spanish] What are you laughing at?

457
00:21:29,830 --> 00:21:31,370
[speaks in Italian] Are you kidding me,
"Cappa Bianca"?

458
00:21:31,450 --> 00:21:33,450
[speaks in Italian] Do you think I'm joking?
I'm being serious.

459
00:21:33,540 --> 00:21:34,660
How incredible!

460
00:21:34,750 --> 00:21:35,790
Diego never changes.

461
00:21:36,120 --> 00:21:37,750
He does the same to you as he does to the other.

462
00:21:37,920 --> 00:21:39,170
The other? What else?

463
00:21:39,250 --> 00:21:40,540
Your predecessor.

464
00:21:40,840 --> 00:21:43,380
The previous representative.
He also treated him like a slave.

465
00:21:43,670 --> 00:21:45,840
Diego made him run everywhere.

466
00:21:45,930 --> 00:21:48,890
He asked him to do unusual things.

467
00:21:49,640 --> 00:21:51,350
Until the poor guy couldn't take it anymore.

468
00:21:51,680 --> 00:21:52,680
Obviously.

469
00:21:52,770 --> 00:21:55,850
- I thought you were more alive.
- Look, Coccodrillo.

470
00:21:55,940 --> 00:21:58,400
My relationship with my client is private.
Is it clear?

471
00:21:58,480 --> 00:22:00,110
do you realize
How does Diego use people?

472
00:22:00,230 --> 00:22:02,860
-Does Diego use people?
- It's like that, "Cappa Bianca."

473
00:22:03,110 --> 00:22:04,990
What the hell do you know about what Diego is like?

474
00:22:05,190 --> 00:22:06,200
You?

475
00:22:06,280 --> 00:22:08,320
You are starving
who sells drugs out there!

476
00:22:08,530 --> 00:22:11,580
And you start doing
a psychological profile of Diego?

477
00:22:12,240 --> 00:22:14,160
[speaks in Spanish]
Who did you eat, Coccodrillo?

478
00:22:14,370 --> 00:22:16,540
[speaks in Italian] Wash your mouth
before talking about Diego!

479
00:22:17,120 --> 00:22:20,670
Diego is the most generous person
of the world.

480
00:22:20,880 --> 00:22:22,420
Diego doesn't use people.

481
00:22:22,920 --> 00:22:24,880
People use him.

482
00:22:24,960 --> 00:22:29,010
And if not, what do you live on?
Rubber boy! Hear me something.

483
00:22:29,390 --> 00:22:31,600
[in Italian]
Organize the interview, is that clear?

484
00:22:31,720 --> 00:22:33,220
And don't break my balls anymore!

485
00:22:33,810 --> 00:22:35,640
- I'll fix it, "Cappa Bianca."
- Well.

486
00:22:35,890 --> 00:22:37,600
But I want two things in return:

487
00:22:37,890 --> 00:22:40,900
The first thing,
two entrances in the central box.

488
00:22:42,020 --> 00:22:44,440
And then,
a jersey autographed by Diego.

489
00:22:44,690 --> 00:22:47,190
Original, not your signature, Diego's.

490
00:22:47,320 --> 00:22:49,150
I don't sign t-shirts. You're crazy?

491
00:22:49,360 --> 00:22:50,990
It's Diego, always Diego.

492
00:22:51,070 --> 00:22:52,410
- Always Diego.
- Well.

493
00:22:53,120 --> 00:22:55,490
What a special guy, "Cappa Bianca"!

494
00:23:02,130 --> 00:23:03,340
[brawler] Coppola!

495
00:23:03,840 --> 00:23:07,460
[in Italian] Come. It's here.
I was waiting for you.

496
00:23:08,920 --> 00:23:10,090
[Coppola]<i>Let's see, I'll explain a little.</i>

497
00:23:10,300 --> 00:23:12,340
[Coppola in Italian] <i>We have</i>
<i>three safe deposit boxes in the bank.</i>

498
00:23:12,800 --> 00:23:14,010
<i>And they robbed the bank.</i>

499
00:23:14,260 --> 00:23:16,810
[troublemaker speaks in Italian] <i>I already know everything.</i>
<i>Just tell me what you want back.</i>

500
00:23:16,930 --> 00:23:18,390
Oh well.

501
00:23:18,680 --> 00:23:20,560
A trophy, but it's not just any trophy.

502
00:23:20,640 --> 00:23:21,730
The Ballon d'Or.

503
00:23:21,810 --> 00:23:24,230
I saw it, I had it in my hands.
It's spectacular.

504
00:23:24,360 --> 00:23:25,820
- Oh, good.
- Do you also want the sword?

505
00:23:25,980 --> 00:23:27,900
They are trying to sell it,
but nobody wants her.

506
00:23:27,990 --> 00:23:29,280
No, no, no. [in Spanish]
They put the sword in the ortho, no.

507
00:23:29,490 --> 00:23:30,490
How did he say?

508
00:23:30,570 --> 00:23:32,660
[in Italian] How very kind,
but we don't want it.

509
00:23:32,780 --> 00:23:34,700
We just want to get the trophy back.

510
00:23:35,660 --> 00:23:37,950
It's $150,000.

511
00:23:38,250 --> 00:23:39,540
The 150,000 trophy?

512
00:23:39,620 --> 00:23:42,370
We're talking about something that costs $5,000.

513
00:23:42,460 --> 00:23:45,130
It was at 5000, before it was stolen.

514
00:23:45,290 --> 00:23:47,340
Now that I know it's from Maradona,

515
00:23:47,460 --> 00:23:49,170
worth 150,000.

516
00:23:49,300 --> 00:23:50,630
Let's see... What's your name?

517
00:23:50,840 --> 00:23:52,430
- Cappuccino.
- Cappuccino.

518
00:23:52,800 --> 00:23:56,510
One hundred thirty-ten entries
to see Maradona.

519
00:23:56,640 --> 00:23:58,560
Box, presidential box.

520
00:23:58,810 --> 00:24:00,430
One hundred and fifty thousand.

521
00:24:01,770 --> 00:24:03,560
OK that's fine. And how do we do it?

522
00:24:04,020 --> 00:24:05,520
Do this, Coppola:

523
00:24:06,730 --> 00:24:09,070
collect the money,
and we'll see you tomorrow at noon.

524
00:24:10,570 --> 00:24:12,360
You're scared, huh?

525
00:24:17,950 --> 00:24:20,830
[Coppola] Doménica! Locate it for me. Doménica!

526
00:24:20,910 --> 00:24:22,120
- [Doménica] Yes.
-The bag!

527
00:24:22,210 --> 00:24:23,210
The bag!

528
00:24:26,290 --> 00:24:27,290
Ah, here it is.

529
00:24:27,460 --> 00:24:29,380
Let's see, Giorgio,
Free me a little here.

530
00:24:33,930 --> 00:24:35,260
There it is, there it is.

531
00:24:37,760 --> 00:24:40,430
Yes. Well, come, come, come here.
Let's cut for a minute.

532
00:24:40,600 --> 00:24:41,600
[phone rings]

533
00:24:43,850 --> 00:24:45,060
Coppola.

534
00:24:45,600 --> 00:24:47,980
[man speaks in Italian] Capella
of the Madonna del Arco, in three hours.

535
00:24:48,320 --> 00:24:50,110
Perfect.

536
00:24:50,190 --> 00:24:51,860
[man speaks in Italian] The ball
of gold is going to be in the trash can.

537
00:24:55,610 --> 00:24:57,660
- [Coppola] Where, Doménica?
- [Doménica] I continued.

538
00:24:57,740 --> 00:25:00,080
- Here?
- Here it was. It's this one.

539
00:25:01,750 --> 00:25:03,410
- Here?
- Yes, yes, yes. It's this one.

540
00:25:06,290 --> 00:25:09,040
But this doesn't seem like it here.
This is a church, he didn't say a church.

541
00:25:09,130 --> 00:25:11,460
No, no, the Madonna of the Arch.
This is the Madonna of the Arch.

542
00:25:11,800 --> 00:25:14,170
- Give me the bag.
- Put it on. Put it here, calm down.

543
00:25:14,590 --> 00:25:16,930
Doménica, it's 150 lucas,
I don't want to throw them away, right?

544
00:25:17,010 --> 00:25:18,010
No no.

545
00:25:21,140 --> 00:25:22,730
[speaks in Italian] Good evening.

546
00:25:28,560 --> 00:25:29,610
[in Italian] Look!

547
00:25:32,530 --> 00:25:33,860
- There it is.
- There, there.

548
00:25:33,940 --> 00:25:35,530
Peaceful. Check calmly, check.

549
00:25:35,610 --> 00:25:37,360
- Yes, yes.
- Without attracting much attention.

550
00:25:37,530 --> 00:25:38,870
Peaceful.

551
00:25:39,660 --> 00:25:41,490
Look there, look there, Doménica.

552
00:25:42,870 --> 00:25:44,080
[Doménica] There isn't one here.

553
00:25:45,870 --> 00:25:48,170
[Coppola] There is nothing.
It has to be a heavy thing.

554
00:25:51,210 --> 00:25:53,420
It's not here.
There is pure filth here. It's not here.

555
00:25:53,590 --> 00:25:55,970
He scammed us.
This son of a bitch scammed us, Doménica.

556
00:25:56,680 --> 00:25:57,680
[Doménica]<i>Let's see, there.</i>

557
00:25:57,760 --> 00:25:59,220
<i>- Where? But there is nothing.</i>
<i>- There.</i>

558
00:25:59,300 --> 00:26:01,220
<i>It is a voluminous thing,</i>
<i>heavy. It's not here.</i>

559
00:26:01,310 --> 00:26:02,310
[boy] Coppola?

560
00:26:03,060 --> 00:26:05,640
[indistinct] Is that Guillermo?

561
00:26:06,520 --> 00:26:08,060
Master, is it you?

562
00:26:08,150 --> 00:26:09,400
Who are you?

563
00:26:09,480 --> 00:26:11,980
- Did you see? I told them it was him.
- [overlapping speech]

564
00:26:12,110 --> 00:26:15,150
The graduate travel suits
to Naples to meet Diego.

565
00:26:15,360 --> 00:26:16,400
And now they want to lynch me

566
00:26:16,490 --> 00:26:18,410
because we don't get tickets
for the match.

567
00:26:18,910 --> 00:26:19,910
Guys, I don't know. I'm complicated.

568
00:26:19,990 --> 00:26:22,740
If not, I'll stay here chatting with you,
yes? But I can't.

569
00:26:22,830 --> 00:26:24,790
No, Mr. Coppola.
You are the greatest thing there is.

570
00:26:24,870 --> 00:26:26,830
But you have to understand
that Diego is my life.

571
00:26:27,120 --> 00:26:30,500
I go to bed thinking about Diego,
I wake up thinking about Diego.

572
00:26:30,670 --> 00:26:32,670
It's the best thing that happened to him
to all Argentines...

573
00:26:33,050 --> 00:26:34,670
I would kill for Diego,
do you understand?

574
00:26:34,960 --> 00:26:38,090
You have to help us
to… to… to be able to meet him,

575
00:26:38,180 --> 00:26:39,680
At least, or… or… or hug him, right?

576
00:26:39,800 --> 00:26:41,100
Difficult, difficult, difficult.

577
00:26:44,310 --> 00:26:47,560
Come on, come on, please, Guille.
Give it, please.

578
00:26:49,310 --> 00:26:51,190
- What's your name?
- Luke.

579
00:26:52,190 --> 00:26:55,440
[Coppola] Hear me, Luquita,
go tomorrow, eleven in the morning...

580
00:26:55,530 --> 00:26:57,780
- No...
- …to the stadium. Training, guys.

581
00:26:57,860 --> 00:26:58,860
Training.

582
00:26:58,950 --> 00:27:00,820
I don't know if they give him a hug,
but a training...

583
00:27:01,160 --> 00:27:03,080
- Yes, yes. Whatever.
- Huh? I said you are my godson.

584
00:27:03,160 --> 00:27:04,700
Your godson…
You are the greatest there is, Guillote.

585
00:27:04,790 --> 00:27:06,330
- Come on, come on.
- Come on, guys, come on.

586
00:27:06,500 --> 00:27:07,660
[Coppola] <i>Rajen, rajen.</i>

587
00:27:08,960 --> 00:27:10,500
What a disaster. It's a disaster.

588
00:27:10,750 --> 00:27:12,170
Don't worry. Don't worry.

589
00:27:14,800 --> 00:27:16,760
What's up, Coppola?

590
00:27:17,210 --> 00:27:19,130
[speaks in Italian]
I am the medium of the nona.

591
00:27:19,550 --> 00:27:20,550
She tells me:

592
00:27:20,630 --> 00:27:21,680
the important thing is

593
00:27:21,800 --> 00:27:22,800
Maradona.

594
00:27:34,520 --> 00:27:37,230
What do I say to Diego?
What do I tell you?

595
00:27:50,120 --> 00:27:51,160
Coppola.

596
00:27:51,540 --> 00:27:52,540
[speaks in Italian]
Gentlemen, good afternoon.

597
00:27:52,620 --> 00:27:53,630
What can I do for you?

598
00:27:54,790 --> 00:27:56,340
[speaks in Italian] The boss wants to see you.

599
00:27:56,460 --> 00:27:57,670
The boss?

600
00:27:58,550 --> 00:28:02,090
No, my pleasure, but my secretary
Can you give him the office phone number?

601
00:28:02,180 --> 00:28:03,800
and we organized a meeting without problems.

602
00:28:04,680 --> 00:28:06,260
[laughter, inhales]

603
00:28:07,100 --> 00:28:08,810
Not now.

604
00:28:09,350 --> 00:28:10,600
Come on.

605
00:28:14,020 --> 00:28:15,020
[whispers indistinctly] Hey!

606
00:28:15,230 --> 00:28:16,440
Do you want me to repeat it?

607
00:28:16,860 --> 00:28:18,780
The boss doesn't wait for anyone.

608
00:28:18,940 --> 00:28:20,150
Yes, yes, yes.

609
00:28:20,490 --> 00:28:21,610
- [they speak in Italian] Dómenica.
- Yes.

610
00:28:21,700 --> 00:28:23,320
- Call Diego.
- I call Diego.

611
00:28:23,490 --> 00:28:25,990
Tell him I'll be late for dinner,
but I have dinner with him.

612
00:28:26,240 --> 00:28:27,700
Yes, but wait for me, eh?

613
00:28:27,780 --> 00:28:28,790
I'm having dinner with him, huh?

614
00:28:28,950 --> 00:28:30,250
Write down the badge, Doménica.

615
00:28:30,330 --> 00:28:31,330
From the truck.

616
00:28:31,410 --> 00:28:32,710
Antonio Florist.

617
00:28:34,040 --> 00:28:35,670
[tragic music]

618
00:28:56,230 --> 00:28:58,610
[Coppola speaks in Italian]
If this is for $150,000,

619
00:28:58,690 --> 00:28:59,690
It's not important to me.

620
00:28:59,780 --> 00:29:02,320
It's money. Money is that,
tickets. No?

621
00:29:02,650 --> 00:29:05,160
- If they were lost, they were lost.
- [man speaks in Italian] Shut up now!

622
00:29:05,280 --> 00:29:06,660
Did you understand me?

623
00:29:13,790 --> 00:29:15,830
[tragic music continues]

624
00:29:40,360 --> 00:29:41,940
[mumbles indistinctly]

625
00:29:47,660 --> 00:29:49,120
[indistinct distant dialogue]
Let's talk here, right?

626
00:29:50,530 --> 00:29:54,200
[speaks in Italian] It is not necessary,
we can talk here.

627
00:30:01,460 --> 00:30:03,880
[speaks indistinctly in Italian]

628
00:30:07,220 --> 00:30:08,890
[speaks indistinctly in Italian]

629
00:30:10,140 --> 00:30:11,680
[in Italian] Please, please.

630
00:30:11,760 --> 00:30:12,760
- Friend, please.
- [tragic music concludes]

631
00:30:12,890 --> 00:30:14,890
- Let's go to the boat, to the boat.
- Over here.

632
00:30:20,190 --> 00:30:23,360
- [they speak in Italian] Look how good.
- What do you want me to try?

633
00:30:23,530 --> 00:30:24,860
Can you make me test the water?

634
00:30:25,110 --> 00:30:26,490
- You try.
- But what do you give me?

635
00:30:26,570 --> 00:30:27,780
Try it and tell me.

636
00:30:27,900 --> 00:30:30,450
What is this? It's just water.

637
00:30:30,660 --> 00:30:33,200
How do you give me that?

638
00:30:33,330 --> 00:30:35,200
- Pure water.
- I'll put it on the table.

639
00:30:35,370 --> 00:30:36,830
[Coppola speaks in Italian]
Think about the figure of Diego.

640
00:30:36,910 --> 00:30:39,040
That's what it means to this city.

641
00:30:39,290 --> 00:30:40,750
If something happens to me,

642
00:30:40,920 --> 00:30:43,210
Diego is leaving, he is leaving Naples,
but tomorrow he leaves.

643
00:30:44,000 --> 00:30:45,090
It melts… Naples melts.

644
00:30:45,170 --> 00:30:46,170
- Sh.
- Oh, no, that's why.

645
00:30:46,260 --> 00:30:47,260
[Coppola in Italian]
It's all over, right?

646
00:30:49,800 --> 00:30:51,300
[opera music]

647
00:30:55,020 --> 00:30:56,390
[Coppola in Italian] Sir.

648
00:30:58,850 --> 00:30:59,850
[soft gasp]

649
00:31:04,820 --> 00:31:05,820
[Coppola in Italian] A pleasure.

650
00:31:06,110 --> 00:31:07,990
[Carmine in Italian]
Mother, the bag, please.

651
00:31:10,740 --> 00:31:12,870
[Carmine in Spanish]
Explain something to me, Coppola.

652
00:31:13,490 --> 00:31:16,080
Or are you police
What are you asking about my affairs?

653
00:31:17,160 --> 00:31:19,920
No, no, no. If there is something
What I respect is the work of others.

654
00:31:20,000 --> 00:31:22,710
Answer what I asked you, Coppola.
Are you a police officer?

655
00:31:23,420 --> 00:31:25,920
- No.
- No. Are you an international agent?

656
00:31:26,000 --> 00:31:27,460
I am a representative, nothing more.

657
00:31:27,590 --> 00:31:28,970
Let's see, what happened is...

658
00:31:29,170 --> 00:31:31,300
you took something
that my client cares a lot.

659
00:31:31,680 --> 00:31:33,010
By chance they took him,
without intention.

660
00:31:33,300 --> 00:31:34,760
Since my client cares a lot,

661
00:31:34,850 --> 00:31:36,640
I have to do
I kind of care a lot. Pretend.

662
00:31:36,720 --> 00:31:38,850
[in Italian]
Coppola, you talk a lot. Hey?

663
00:31:39,680 --> 00:31:41,940
[in Spanish] Talk less. And listen more.

664
00:31:42,810 --> 00:31:43,940
- [in Italian] Is it okay?
- Yes.

665
00:31:44,190 --> 00:31:45,360
Bring him here!

666
00:31:45,860 --> 00:31:46,980
No, no, this is a confusion. Hey?

667
00:31:47,320 --> 00:31:48,940
Look, the Arabs have a word.

668
00:31:49,030 --> 00:31:51,400
<i>Irtibāk.</i> It's a confusion
what we can solve they talk...

669
00:31:51,490 --> 00:31:52,490
[music concludes]

670
00:31:53,660 --> 00:31:54,660
[Cappuccino gasps]

671
00:31:54,910 --> 00:31:55,910
Coppola.

672
00:31:56,240 --> 00:31:58,290
- [sniffs, sobs]
- Coppola, do you recognize him?

673
00:31:58,540 --> 00:32:00,330
This is what happens to him

674
00:32:00,580 --> 00:32:03,170
when someone
He wants to do business behind my back.

675
00:32:03,380 --> 00:32:04,670
[sobs, indistinct]

676
00:32:04,840 --> 00:32:05,840
[Carmine in Italian]
Apologize to Coppola.

677
00:32:06,000 --> 00:32:07,000
[Cappuccino in Italian]
I apologize.

678
00:32:07,300 --> 00:32:08,630
I apologize.

679
00:32:09,340 --> 00:32:10,920
I didn't mean to, Capo, please!

680
00:32:11,220 --> 00:32:13,260
Hey, everything good, Cappuccino, everything good.

681
00:32:13,340 --> 00:32:14,640
Make your fame count!

682
00:32:15,010 --> 00:32:18,390
[sob] [Cappuccino in Italian]
Sorry, Capo!

683
00:32:18,470 --> 00:32:19,640
We were companions, Capo!

684
00:32:19,890 --> 00:32:21,980
[speaks in Spanish]
It is not necessary. There's no need.

685
00:32:22,600 --> 00:32:23,940
[speaks in Italian, sobs]
We were companions, Capo!

686
00:32:26,190 --> 00:32:27,900
- [gunshots]
- [fall]

687
00:32:28,730 --> 00:32:30,820
[tragic music]

688
00:32:34,410 --> 00:32:36,410
[Carmine in Italian]
Come here, Coppola, come here.

689
00:32:36,660 --> 00:32:37,910
Don't be afraid, huh?

690
00:32:41,040 --> 00:32:43,790
- We didn't know what was in the box.
- [Coppola] Oh.

691
00:32:44,120 --> 00:32:45,960
[speaks in Italian] We have done
an approximate calculation.

692
00:32:46,210 --> 00:32:47,750
- Oh, okay.
- [in Italian] It's okay, right?

693
00:32:48,130 --> 00:32:52,380
No. Very good, very good.
I am very grateful for this,

694
00:32:52,470 --> 00:32:55,140
but I want to tell you,
it is not necessary,

695
00:32:55,220 --> 00:32:57,470
because to us the bank,
bank insurance...

696
00:32:57,600 --> 00:32:59,560
[speaks in Italian] I'm not interested. Hey?

697
00:33:00,270 --> 00:33:01,270
This is yours.

698
00:33:02,180 --> 00:33:03,270
[in Italian] One hundred thousand dollars.

699
00:33:05,730 --> 00:33:06,730
Thank you.

700
00:33:07,020 --> 00:33:08,020
There were 150.

701
00:33:08,150 --> 00:33:09,400
[speaks in Italian] Coppola!

702
00:33:09,480 --> 00:33:10,820
One hundred thousand dollars.

703
00:33:12,320 --> 00:33:13,320
Well, this and that. Barbarian.

704
00:33:13,610 --> 00:33:14,740
[Carmine in Italian]
You owe me a favor.

705
00:33:14,820 --> 00:33:15,860
[Coppola] Whatever you want.

706
00:33:16,360 --> 00:33:17,820
[in Italian] You must talk to Diego,

707
00:33:17,910 --> 00:33:21,410
that we would never touch
what belongs to him.

708
00:33:21,580 --> 00:33:22,580
Good.

709
00:33:23,120 --> 00:33:24,120
Stop by there.

710
00:33:24,210 --> 00:33:25,210
Yes.

711
00:33:25,290 --> 00:33:27,000
- No, what...
- [Carmine in Italian] Come here, Coppola.

712
00:33:27,080 --> 00:33:28,170
Yes. Yes, yes, no, what...

713
00:33:28,250 --> 00:33:30,590
what I wanted to say is to Diego
what matters most

714
00:33:30,670 --> 00:33:33,090
It is neither the jewel nor the silver, nothing.

715
00:33:33,670 --> 00:33:35,720
That's what I was trying
to find out.

716
00:33:36,090 --> 00:33:37,140
Diego cares about something else.

717
00:33:37,340 --> 00:33:40,100
[in Italian] I know you care
to Diego. And I have it.

718
00:33:40,350 --> 00:33:41,390
Hey?

719
00:33:41,470 --> 00:33:43,640
The bitch worth being alive!

720
00:33:43,810 --> 00:33:44,940
- Huh?
- Oh, yes?

721
00:33:45,020 --> 00:33:46,940
Clear! That we have stolen.

722
00:33:47,100 --> 00:33:48,100
[laughs] Come here, come.

723
00:33:48,190 --> 00:33:49,310
Good!

724
00:33:49,400 --> 00:33:51,650
Because they were…
We were kind of nervous.

725
00:33:51,860 --> 00:33:53,530
- [laughs]
-…anxious with Diego.

726
00:33:55,780 --> 00:33:57,240
[in Italian] Are you ready?

727
00:33:57,410 --> 00:33:58,620
It's intact.

728
00:34:00,080 --> 00:34:01,330
The scimitar.

729
00:34:01,450 --> 00:34:03,160
- [metallic noise]
- [soft growl]

730
00:34:04,580 --> 00:34:06,710
- [in Italian] What Diego wanted, right?
- Yes.

731
00:34:06,790 --> 00:34:08,380
- [in Italian]
- Yes.

732
00:34:10,540 --> 00:34:13,130
This is what Diego
more was waiting.

733
00:34:13,590 --> 00:34:15,010
Thank you so much.

734
00:34:15,090 --> 00:34:16,260
[Carmine] Let's go eat, okay?

735
00:34:16,340 --> 00:34:17,680
[Carmine in Italian]
You are at home Coppola!

736
00:34:18,010 --> 00:34:19,010
Don't worry.

737
00:34:20,180 --> 00:34:21,350
[musical curtain plays]

738
00:38:04,360 --> 00:38:05,740
[end of musical curtain]


